I have been meaning to write about something indie film industry-related that has been on my mind for a while. Considering some recent happenings, I think it’s a good idea to discuss it now.
This issue mainly affects the non-union, low budget, indie aspect of the industry. Basically, it comes down to this…If I put out an ad on a casting website that states that: “I am Miss Unknown Director, currently casting for my new film”, I will get tons and tons of headshot/resume submissions from talented, eager and willing actors. This is the reality of our little struggling actor industry. Since we work in such an oversaturated and competitive market, most of us will be eager to work on a project – any project!
However, you have to be careful. The truth is that basically anyone can post on websites like Craigslist.com and Mandy.com and request actors for their production. Sometimes, these people may have high-hopes and great ideas, but no way to follow through. Therefore, you go to the audition, meet with Miss Unknown Director and her friend Mr. Unknown Producer, give a stellar performance, even receive a “We absolutely love you!” cheer, and then never, ever hear from them again. Then you begin self-doubting yourself. What did I do wrong? Am I a bad actor? Am I not pretty enough? Too pretty? (Come on, you know you've use this one to soothe your hurt actor ego..."Yup, I'm just too darn pretty for the role!") And on and on...
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| Sad Kitteh is Too Fluffy for the Role! |
The truth is, sometimes productions like this fall through due to many different reasons – lack of funding, equipment or resources, Miss Unknown Director deciding that directing is not, in fact, her calling and going back to her day job, etc. So you have basically wasted your precious time preparing for and going to an audition for a job that will never be. Or maybe the job “is” and Miss Unknown Director just gives the lead roles to her BFFs. The thing is when working in the indie industry and auditioning for roles without an agent’s guidance, you need to be careful and do your research so that you’re not wasting your time, energy and possibly tears on such projects.
Here are some tips that I have come up with:
1. Know who you are auditioning for.
Google the heck out of them (you should be doing this anyway even for union auditions/jobs so that you are familiar with the director, producer, past work, etc.). If you are unable to find ANYTHING about them or their production company, then ASK THEM! Yes, it’s that simple. I think that actors sometimes forget that they have the right to audition the director, producer, whoever. You have standards, don’t you? I’m sure it would make a big difference if the indie director/producer/whoever has three quality films under their belt and a solid production crew behind him/her vs. if they are an eleven-year-old with a passion for directing and daddy’s handy cam (I use this example from personal experience). You, as an actor, have every right to know about the crew’s past work and experience. Yes, they are auditioning you, but you need to audition them as well. That’s not to say that you should not give new and upcoming directors/producers/whoever a chance if they have a strong project and action plan. Who knows where the next Spielberg is hiding?
2. Know the plan for the project.
What will be the outcome of your 12 hour days on set (unpaid, of course)? Are you working on something that will be pitched to networks, submitted to festivals, shown in the director’s parents’ basement? Unfortunately, you can’t always gauge where exactly the project will end up and how well it will do. Maybe it will get submitted to every single festival in the world, but it does not get selected. Maybe it will be pitched as a pilot, but the network passes on it. However, at least knowing the intent may help. Not always, though. I worked on a project that was supposed to be pitched to a major network, and to this day it has still not been edited, let alone pitched! I guess you win some, you lose some. That’s the gamble of the indie industry.
3. Show me the money...Or at least talk about it!

If you are working on a non-paying project, know what you are working for. I once did a film for a student (an end of the year project), singed my release and once that director graduated, I noticed that he was selling the film – without even telling me! Mind you, I don’t think he was making any significant amount of money from it, but still. If you are not getting paid for a project, are you working on a deferred payment method? If so, do you have that in writing? When you have an agent, it’s easier because he/she can help oversee the contacts and release forms. However, if you are a struggling actor, eager to work (on anything!) make sure you pause and read all release forms carefully.
Do you know and understand exactly what you are signing?
4. Choose projects wisely.
The world will not come to an end if you don’t audition for every single project that comes your way. The thing with actors is that quantity often overrides quality because we’d rather be audition for
10 so-so projects than
1 amazing project. The odds of booking
SOMETHING are obviously higher in the former. However, sometimes it may be a better idea to skip auditions for obviously bad projects and take a class instead. Or go to the auditions just to practice your auditioning skills. The truth is, you never know where a project will end up and how well it will do. I'm sure that many actors have
passed up on opportunities that they later regretted (
Will Smith passed on "The Matrix" so that he could film "Wild Wild West" - actually a lot of actors apparently passed on the role of Neo). Anyway, you never know! You are usually better off saying
"yes" to auditions and projects, but just be careful so that you don't burn out.
5. Don’t dwell on it.
As I mentioned above, sometimes indie projects simply fall through. You have to be ready for that, even if you book the role. Don't dwell on a role you never hear back about, don't dwell on a project that is shelved...It's life!
Remember to have fun along the way. If you want to work on something just for the heck of working or because you want to surround yourself with like-minded individuals even though they may not have a mile long IMDB credit list or the best Demo Reel, that’s okay! Just make sure you know what you are getting yourself into it, and then enjoy! Maybe you will meet an up and coming director/producer/writer/whoever who makes a wonderful hit! Or perhaps you will become friends and after making a few flops together you will collaborate on an amazing hit! You will help them develop their skills while you work on your acting in a supportive environment. It’s a win-win situation.
7. Create your own work.
You have the power to make your own work! Get together with your fellow struggling actors/writers/directors/whoever and create something!
So, Fellow Actors and Actresses, what are your thoughts on this topic?
xoxox